A. Living in the midst of elevated symbols and magnificent allegories, he too easily lets himself be drawn into translating his characters into tones and _______. B. But these reservations must not make us forget that, with ___________, we find ourselves in the presence of a work of exceptional quality. (E.V.--with omissions).
(1) form, which is fundamental to the object. (2) objective surface, which, being an intrinsic component of form, is equally fundamental to the whole. (3) subjective surface, which is a mere illusion of the visual faculties. --A.R.
Symptom: you telescope in on various psychic networks thanks to a dream of forgetting that you had to remember was only a dream. (a.m.) Cure: it is always about water. (p.m.)
A: "... necessity was the inventor of clothing, and what has art to with necessity?" B: "In poetry a garment is not a garment; it conceals nothing; our imagination sees right through it." --GEL